![](https://static.wixstatic.com/media/06fcd3_9a2362da734b4e94bef23f4ab0c3c755~mv2.jpg/v1/fill/w_1280,h_1920,al_c,q_90,usm_0.66_1.00_0.01,enc_avif,quality_auto/06fcd3_9a2362da734b4e94bef23f4ab0c3c755~mv2.jpg)
Corpse talk comic- Frank King
![Corpse Talk page 1-1.jpg](https://static.wixstatic.com/media/06fcd3_29fb98df58c44cfd8368284121281609~mv2.jpg/v1/fill/w_492,h_695,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/Corpse%20Talk%20page%201-1.jpg)
![Corpse Talk page 2-1.jpg](https://static.wixstatic.com/media/06fcd3_7cf89a7c6c3f4ff5b466c440f513a43c~mv2.jpg/v1/fill/w_488,h_690,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/Corpse%20Talk%20page%202-1.jpg)
We draw artists names at random. My task was to research Frank King, creator of comic strips called Gasoline Alley. Then create a two-page comic titled corpse talk. I wanted to create a two-page comic in the style of Frank's characters from Gasoline Alley. But also keep it as comic pages rather than strips. To do this, I started with searching for examples of his work and then applying his style to create two characters representing Frank and a person who will ask questions in the corpse talk. I wanted to show it as a short interview with the artist like in morning tv-shows.
I created a few thumbnails to plan it out. I was planning to fill the first panel with a big title saying 'Welcome to corpse talk'. However, it would look a bit empty so, I decided to add characters sitting on both sides of the room like in the morning shows. After inking two pages, I scanned them and edited them in photoshop. I added frames and text.
I'm happy with how I replicated the artist's style. However, I tried to combine his speech bubbles with diamond layout text. It did not go well. The idea started with creating square bubbles with round edges, but that's where I went wrong. I should have written bubbles around the text as Frank did it.
Character design
![20211208_232713.jpg](https://static.wixstatic.com/media/06fcd3_fa2a7a0c76b049358bb3de564ecd6030~mv2.jpg/v1/crop/x_54,y_1497,w_1902,h_1605/fill/w_334,h_282,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/20211208_232713.jpg)
![og-frank-king-1416.jpg](https://static.wixstatic.com/media/06fcd3_0df4f7750d674846bdc58eaf6686fd7e~mv2.jpg/v1/crop/x_204,y_0,w_279,h_359/fill/w_99,h_127,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/og-frank-king-1416.jpg)
Example of Frank King's artwork
![king-gasoline-alley-31pk.jpg](https://static.wixstatic.com/media/06fcd3_ee6201eb26cc4542b5f430eda8fcbd60~mv2.jpg/v1/crop/x_43,y_0,w_707,h_244/fill/w_348,h_120,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/king-gasoline-alley-31pk.jpg)
![gasolinealle3_29_21caf.jpg](https://static.wixstatic.com/media/06fcd3_40ecd288cf0b423ba79688b09ed4eae7~mv2.jpg/v1/crop/x_41,y_41,w_1250,h_399/fill/w_351,h_112,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/gasolinealle3_29_21caf.jpg)
Artist research
An American artist known for illustrating black and white single-panel gags for a newspaper called The Rectangle in 1918. His comic strips became popular for their content about the effects of the automobile craze on working-class people. Although it was quite an unusual topic ignored by other media, it attracted the readers.
He used ink to create solid black colour and hatching to shade some areas.
Thumbnails
![20211208_232713.jpg](https://static.wixstatic.com/media/06fcd3_fa2a7a0c76b049358bb3de564ecd6030~mv2.jpg/v1/crop/x_0,y_0,w_2041,h_1429/fill/w_567,h_397,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/20211208_232713.jpg)